Sweden Quotes

I'm very selfish. I make music that I love because I only live once, and I'm an artist. I don't try to revolt against anybody, and I don't try to please anybody. I feel very strongly that I if love it, someone else will love it - not everybody, though.
It doesn't matter what you make - if you create a movie or build a car or whatever, it's the amount of blood, sweat, and tears and money and everything that goes into it that needs to be rewarded.
I've been playing for aeons now, but way, way back, I remember Eddie Van Halen came out ,and I loved his playing. He was amazing. But then everyone started copying his guitars with Floyds, and I didn't.
I've learned not to say, 'No, I'd never do that.'
I've used Fender Strats with Marshalls since forever, though since I last played London, I've switched to my YJM Seymour Duncan pickups, and I also have a Fender YJM overdrive pedal, which is fairly new.
Just the whole thing of getting up in the morning - I love the sunshine, I love the palm trees. I'm that kind of guy. I like to drive around with the top down and just enjoy life. I never did that before, so it's a beautiful thing.
Most Americans, I don't think, could fathom the society that I grew up in. It is a completely different philosophy from America's. You are basically told what you can be by the educational system.
My band's motto is 'Yngwie or the highway.' Do you think Leonardo Da Vinci allowed someone who came later to add to his paintings? It's impossible. That's the whole issue. I'm not a typical rock n' roll guitarist nor a simple band member.
My book is basically a love letter to America.
My fourth birthday, I was given a violin, and my fifth birthday, a guitar. I didn't start to play until I saw Hendrix on TV. They showed him setting his guitar on fire and burning it for the Monterey Pop Festival.
My will power has always been very strong. If I want something, I'll get it. I've had no trouble keeping my head on my shoulders, nor do I have any chips on there.
People - myself included - expect a certain standard from me. I always have to elaborate or improve on my playing. My success hasn't made me at all laid-back. That relentless drive is still there.
People who join my organization are usually very cool at first, but they become troublesome later.
Someone like Allan Holdsworth sometimes plays the wackiest things, but does it with panache, such taste.
'Spellbound' has a lot of guitar playing on it, obviously, but I wanted to keep it with a more straightforward beat. It doesn't have so many stops and things like that. Whereas if you listen to 'Majestic 12,' that's like a little symphony.
Steeler was a good start for my career. They didn't play anything dangerous - everything was formulaic - but I played all this crazy stuff on top of it, and that turned out to be an interesting combination. But by the time 'Steeler' came out, I was already out of the band.
Steve Morse is a very good guitar player, but he's American, and he's using humbucker pickups. If you ask me, those two are not good.
Sweep picking is when the right hand sweeps down and up the strings in succession. But when you do sweep picking, one note rings into the next, and it sounds almost like you're playing a chord, and that's exactly what you don't want.
The biggest mistake people make about me is that they see me as some sort of god-like figure with a big ego. If I see a button, a T-shirt, that says, 'Yngwie is God,' I just look at it as a complimentary way of people telling me they like me. Although it's very flattering, it doesn't change the way I look at myself.
The business has changed dramatically from what it was even just a few years ago. Music isn't even distributed the same way anymore. Even CDs are becoming a thing of the past. The Internet has made it easier to get my music out to anyone who wants it, but at the same time, I feel like we're losing the mystique.
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AuthorName
Al Lopez
Profession
Coach
BirthDate
20 August, 1908
DeathDate
30 October, 2005
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