Sweden Quotes

With Fincher, you can take chances and try things. And what happens is that any pretension and preparation you've done, all the square, intellectual work, you can't keep that up for 40 takes. It breaks down, and new things start popping up. This, for me, is the most exciting thing about film-making.
You always have to figure out what the director is good at before you work with them; then you can fill in if need be.
You could probably ask anyone who loves Fincher films, and they couldn't answer why.
You don't know why you fall in love.
You learn a lot from kids.
I really wanted to discover mummies, like Indiana Jones.
I want to know what changed in fully modern humans, compared with Neanderthals, that made a difference. What made it possible for us to build up these enormous societies, and spread around the globe, and develop the technology that I think no one can doubt is unique to humans.
A lot of people don't know this, but I started out as a blues-based player, and then, when I realized after playing 18 hours a day that there's more than five notes per scale, that's when my stuff became what it was. I started listening to violinists and flautists, and that's how my style evolved.
A lot of people don't realize that guitar playing is very much like singing or playing any of the glissando-type instruments - you have to do it in tune.
A lot of people probably get the idea that I'm this extremely calculated kind of guy, and in a lot of ways, I am. But when it comes to music or artistic expression, I'm very uncalculated and do things very spontaneous. If I didn't do that, I wouldn't want to do this anymore. I can't just play the same thing over and over; it would drive me crazy.
At first, I didn't think playing guitar was the right thing for me to do. But after seeing Jimi Hendrix on television the day he died, I realized it was a really cool instrument to play and not wimpy at all, which was how I originally perceived it.
Because I write the music, I write the lyrics, I write the vocal melody lines - I write everything. Just because I let somebody sing something doesn't mean they're more important than the bass player or the keyboard player or the drummer.
Every day has to be a day that counts. It can't be a wasted day. I'm very dedicated to always keep doing something that I would consider good.
Every other guitar player was just copying other guitarists. From the time I was 13 up until 18, I practiced at least eight hours a day, every day. My health suffered for it - I was losing sleep and not eating properly.
Every record store and record chain has folded; they don't exist. They do not exist. And the only two outlets that would still sell CDs were Best Buy and Wal-Mart. They now have stopped selling it. There's nowhere you can go into a store and buy a CD in America. That's how it is.
Everything that I think that a society should offer someone, which is nothing other than the ability to be able to do what you wanna do, is offered by America.
I always wrote everything - I wrote all the lyrics, I wrote all the melodies, everything; it's just somebody else sung it. And to me, the singer is nothing else than a different... like a bass player or a keyboard player - they're not more important than any other musician.
I am convinced that there are few, if any, American people that could even start believing or understanding what living in a socialist country does to a person.
I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.
I didn't have to apply my mind to the aspects of scales and playing, and instead, I focused on creativity. I wrote music, but I didn't 'practice' it. So yeah, you can always get better and improve your technique, but hopefully, that comes through being a musician and composing and being a creative individual.
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AuthorName
Al Lopez
Profession
Coach
BirthDate
20 August, 1908
DeathDate
30 October, 2005
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