Denmark Quotes

Any creative process is about being in a territory which isn't secure, isn't necessarily familiar, and isn't convenient in any sort of way. And that's the excitement of it.
As a filmmaker, I always try not to concern myself with the outcome of things. I make the movie, and I do that as honestly and good as I can. I don't want to pollute my thoughts with what is going to happen with it afterwards, because I have to work inside-out.
At some stage in most people's lives, things turn upside down, and nothing is as you expected it to be.
Denmark is like a big family of people.
Dogme is like leading a religious life, in that you are freeing yourself from making certain choices. It makes life easier.
For me, grief is a static thing, and my movies have an extremely dynamic sort of movement.
For the Oscars, I had a speech in my hand, and I just knew if I opened the piece of paper, I was going to be unable to read it. So I just thought, 'I'm going to say, as coherently as I can, whatever I can.'
For years, whenever I'd been travelling and came back to Copenhagen, I'd think: 'People are so stylish.' And it's not any one class. It's everyday life.
Having done a Dogme film taught me the beauty of simplicity and austerity.
I am very close to my family, and there's something life-affirming about that. Even if you feel completely different from them and have totally different views on politics and ethics, you're still family and have that immediate acceptance.
I believe in rules. I believe in artistic limitations, and I always have. I've always thought that setting out a set of rules before you start, and then being completely consistent with them, is the only way to make a really good film.
I did learn a lot from 'Things We Lost in the Fire,' but I've learned different things from different films.
I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.
I don't feel I have an issue with listening or understanding English in any sort of way.
I don't feel that I'm strictly Danish; I don't feel that my sense of humor is strictly Danish or my human sensibility is strictly Danish.
I don't know that there's more bullying or whether it's just more talked about. It seems to me that possibly that there's been a lot of bullying all the time, but at the moment, it's something that people are talking about.
I don't want actors to be writers. I think it's too much responsibility.
I generally edit quite heavily. In general, there aren't many scenes that are sitting where they sat in the script in the final form.
I guess I strongly feel that we cannot pretend that the Third World is not part of our world. We cannot say 'OK, there's that problem over there, let's just close our eyes' - we cannot do that.
I hate when the sun is high and there are no shadows. If I could do super high-budget movies, I would only shoot when the sun starts to get low - but you can't just shoot for four hours every day.
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AuthorName
Abigail Adams
Profession
First Lady
BirthDate
22 November, 1744
DeathDate
28 October, 1818
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