Australia Quotes

I just don't see myself as the heroine in my own narrative.
I look forward to the holiday season every year.
I love 'Annie Hall,' but then I adore 'Hannah and Her Sisters.' Dianne Wiest is amazing in 'Bullets Over Broadway,' but her in 'Hannah and Her Sisters,' I absolutely loved it.
I love dressing up, although that doesn't mean necessarily on the school run.
I miss Brighton enormously, enormously. There is so much I miss, including rain. I miss the verdant countryside.
I never feel particularly comfortable holding a gun, but when you're playing somebody who lived in the frontier southwest, guns are a part of their life. Anyone who lives on land has a gun.
I never want to work. Even when you're presented with these great opportunities, I think, 'I really love being in my pajamas with the kids.'
I remember the first film I did, the lead actor would, in between scenes, be reading a newspaper or sleeping and I'd think, 'How can you do that?' But it's so exhausting, you can't be 'on' 12-14 hours a day.
I remember thinking, when I was playing Hedda Gabler, that several sequences of the play were utterly absurd.
I said to Martin Scorsese, 'When are you going to make another film with a woman at the center?'
I saw the first 'How to Train Your Dragon' film with my children, and I found it utterly exhilarating.
I suppose the more established one gets, you have what's called a reputation, and so you want to protect that and preserve that. And I think the bravery really comes in one's mid career where you then are constantly trying to move beyond that and move past that, because those so-called successors can become shackles.
I tend to have this perverse reaction to authority and stress: I become more confident and clear when a challenge is enormous.
I tend to use really basic creams, and I like to put an oil on, like an emu oil from Australia. It's from the emu, and it's really nourishing. I prefer an oil to a cream.
I think about my father and how sad it was that he never had grandchildren.
I think at the prospect of bringing children into the world, your mortality comes very much to the forefront, absolutely.
I think I just want to garden - or kill some plants, in my case.
I think if you're going to wear a red lip, you don't want it wearing you, so it's about finding the right colour.
I think if you're too embroiled in the need to relate too closely to the character, then you start to judge the character for the audience rather than to present it to the audience for their enjoyment and them to mull over the questions that the characters present.
I think it's always good to take on things that at first seem bigger than you. Then you just try and surmount them.
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AuthorName
A. N. Wilson
Profession
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BirthDate
27 October, 1950
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