Australia Quotes

It's funny because TV wasn't something that I wanted to do. I wanted to do movies. I'd said a lot of no's to a lot of shows previously because I couldn't fathom being on a show for such a long time and only doing one thing.
It's funny, I often think about how, if we were all placed in an apocalyptic situation, you'd realize quickly how stupid, petty things just don't matter anymore. Who you love is who you love, and it doesn't matter.
L.A. and America, in general, have this incredible hustle about them. There's this sense of momentum.
My mom's a children's television writer, so I was involved and around from a very young age. When I was eight, I did my first film with Rachel Ward and Bryan Brown, who are a quite well-respected Australian producer-director duo, and that just changed my whole perspective on what I could do in life and be.
My whole philosophy has been to let the work speak for itself, because that's really what you want to show.
People are so passionate... Now that I have discovered Twitter, it's become so fun that people are really into this 'Clexa' thing, and there's such a great response to their relationship.
Teen fandom is so potent. Any choice they make in pop culture forces the rest of the world to take notice.
That contagion idea is so relevant and shows how quickly civilization could self-destruct.
That doomsday idea is in everybody's subconscious.
That's bizarre to see, L.A., downtown, and to feel like you're the only person there.
The moment the world falls apart, you start forgetting history and wrongdoings in the past.
Usually with something like 'The 100,' because you're working so much and every day, and they'll change the drafts quite quickly, we'll go through maybe, like, 12 different versions of the same scene over a week. So there is no point in learning it on a Tuesday when on a Thursday it might be completely different.
Watch 'Fear the Walking Dead,' because we'd love your support, but I think 'The 100' is such a great show; it was a great show before I got there. It's only getting better, and I'm so lucky I got to be a part of it.
When I was younger, I could get that white-knuckle grip of holding on to an idea and not wanting to let it go.
When you're placed in a world where survival is the main focus, a lot of that other stuff, like wrongdoings in the past, become obsolete. You have to focus on the here and now.
While working in a group is great, on-set especially, it means you just don't get to see the characters one-on-one.
With any sort of minority, issues of ostracization or misrepresentation are clearly rampant. It's just so deeply rooted in our culture, and there are so many levels that it trickles down from.
You don't often get a choice in who your enemies are, who you're friends with, what your situation is, and the environment you're placed in. You just have to make do with what you have.
I became an actress to provoke people and move people and to tell the stories.
I enjoy collaborating with creative people and trying to get the best image possible to convey a feeling or story. Plus, I get flown all over the world to exotic places. How can you lose interest in that? It's a great lifestyle. I can take vacations whenever I want, and no two shoots are ever the same.
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AuthorName
A. N. Wilson
Profession
Writer
BirthDate
27 October, 1950
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