Author Quotes

By the time I was 10 or 12, I had discovered the lure of the romance genre - and the dusty copy of 'The Thorn Birds' on my parents' bookshelf.
Colleen McCullough taught me that desire is the heart of romance.
Critics seem to forget that every love story is different - that there is uniqueness in even the most commonplace of matches.
Even in 2014, when romance heroes are as varied as their genre, somewhere in them you can still always find the alpha male.
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
Gone are the days when heroes are emotionally locked away from the world until the end of the book, and thank goodness for that. Modern romance heroes are more complex than ever.
Here's the thing about romance novels: The moment when the hero and heroine discover that they're perfect for each other is often the moment when it's them against the world.
I never met Colleen McCullough; if I had, I probably would have cried and made a fool of myself.
I think back on that day when 16-year-old me scribbled on some silly piece of paper for some long-forgotten high school career-day project that my dream job was 'romance novelist.'
I think we can all agree that Colin Firth falls into the George Clooney category of 'Men Who Age Like Fine Wine.'
I want to wake up one morning and know how to write page one, or page 10, or page 250. But I never seem to know how to do it. Every book is different and takes a different structure, style, process, etc. And relearning how to write is where the insanity comes from.
If you think back to your time as a teenager, everything was dramatic.
I'm not entirely sure why I write.
I'm so thrilled to have won the RITA. The award is particularly special because it is given by other romance authors. It's deeply rewarding and not a little humbling to be honored by such a talented tribe of writers.
In books by women and for women, it should come as no surprise that heroines are the heroes of the action, finding themselves, their power and their future through love.
In fiction, as in real life, love might inspire acts that are at best foolish and at worst life-threatening, but in the best romances, love is the final, secret ingredient that turns mere mortals into heroes and heroines.
In real life, I'd say that your commitment-phobe/narcissist/bad boy boyfriend is a lost cause, but romance is shelved in fiction for a reason.
In seven books, I've written my fair share of baby epilogues. Pregnancies and births and even grandchildren have made an appearance in the final pages of my books.
Like so many others, I came to romance during the golden age of it - Judith McNaught, Julie Garwood, Johanna Lindsey and Jude Deveraux were at the height of their historical domination. Without those women, I wouldn't be a romance novelist.
No doubt, much of the joy of a great romance is the moment when these stoic heroes crack open and reveal themselves to their heroines - the only women strong enough to match them.
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