Germany Quotes

My sister and I did not have our own rooms, or even a place to ourselves. In the living room, beyond the two windows, was a little corner where my books were kept, and other thing - my watercolors and so on. Often I had to imagine the things I needed. I learned very early to read amidst noise.
No idea stays pure. Even the flowering of art isn't pure. And the sun has spots.
Often I had to imagine the things I needed. I learned very early to read amidst noise. And so I started writing and drawing at an early age.
Our minds aren't bound by a chronological corset. When thinking and dreaming, past, present and future are mixed up. That's also possible for a writer.
Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form.
People change with time. There are things that happened to a person in his childhood and years later they seem to him alien and strange. I am trying to decipher that child. Sometimes he is a stranger to me. When you think about when you were 14, don't you feel a certain alienation?
Prose, poetry, and drawings stand side by side in a very democratic way in my work.
The European Union arose on an economic foundation, and it turns out that even this is not a solid base. Cultural identity has been neglected.
We already have the statistics for the future: the growth percentages of pollution, overpopulation, desertification. The future is already in place.
We cannot get by Auschwitz. We should not even try, as great as the temptation is, because Auschwitz belongs to us, is branded into our history, and - to our benefit! - has made possible an insight that could be summarized as, 'Now we finally know ourselves.'
What I do is sometimes - at least in Germany - met with wounding campaigns. I always face the question: should I grow myself a thick skin and ignore it, or should I let myself be wounded? I've decided to be wounded, since, if I grew a thick skin, there are other things I wouldn't feel any more.
When I am working on an epic-length book, the writing process is fairly long. It takes from four to five years to get through all the drafts. The book is done when I am exhausted.
With drawing, I am acutely aware of creating something on a sheet of paper. It is a sensual act, which you cannot say about the act of writing. In fact, I often turn to drawing to recover from the writing.
Writers know that sometimes things are there in the drawer for decades before they finally come out and you are capable of writing about them.
A great deal has been learned about cell communication. The universal nature of cellular structure and organization in bacteria, plant and animal cells has been discovered.
After the near-total destruction of Dresden in the Allied fire-bombing of February 1945, few people believed that its beauty would ever return. Dresden's slow but steady comeback was thus met with great relief.
Although I completed two years of internship in various small hospitals, I decided against continuing my medical training. I was much more fascinated by the unsolved problems of medicine than by practicing it.
As long as we do not know how the cell works, we don't know the kind of havoc the AIDS virus creates in the cell.
As soon as I heard there were people in Germany who wanted to restore the old part of Dresden, I wanted to help. Even before the Nobel, I had started this group, the Friends of Dresden. The destruction of Dresden made a big impression on me when I was a child, and I wanted to do this.
Driving through Dresden, I still remember the many palaces, happily decorated with cherubs and other symbols of the baroque era. The city made an indelible impression on me.
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AuthorName
Ada Louise Huxtable
Profession
Critic
BirthDate
14 March, 1921
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