Producer Quotes

I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along.
We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens.
Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really.
Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects.
What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness.
When you extend life span, that's really something. That's hard to do.
Disco does work better with black artists or players. They just feel it more.
Disco is music for dancing, and people will always want to dance.
Every business is there to make money, and making a record is business. This tends to be forgotten by many.
I achieved something specially different with Love To Love You Baby and I Feel Love. These songs will endure.
I am certainly not racist; I even like the British.
I am much more happy doing what I know I can do than what I am not sure I could do.
I am not so complicated or intelligent a composer, nor am I very interested in becoming so. I am much more happy doing what I know I can do than what I am not sure I could do.
I am reluctant to judge things without being informed.
I don't think there is too much art involved in what I do.
I have to admit, I do not listen to much rock music.
I think it would be stupid for us to try and tell people who are dancing in a discotheque about the problems of the world. That is the very thing they have come away to avoid.
I would not be happy to do what I do unless I felt that the large audience wanted it.
In both pop and disco, the meaning of the lyrics is not too important. I have nothing I feel I particularly want to say.
In pop or rock you can make a fast song or a slow one, but in disco there is really just the one rhythm.
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