Evelyn Glennie Quotes

I think I can only help to expose percussion to all sorts of people. The balance between the lighter and more serious side is important.
I walk into a kids' store, and it's amazing, the types of instruments - little squeaky things, rattling things, spinning tops.
I want to be able to say on my deathbed that I reached a few people. That would be very nice, just to be able to say that.
I'm not a deaf musician. I'm a musician who happens to be deaf.
I've kept a diary since I was 11.
If I just simply let go, and allow my hand, my arm, to be more of a support system, suddenly - I have more dynamic with less effort. Much more, and I just feel, at last, one with the stick, and one with the drum.
If we see someone in a wheelchair, we assume they cannot walk. It may be that they can walk three, four, five steps. That, to them, means they can walk.
It's the things that you notice when you're not actually with your instrument that, in fact, become so interesting, and that you - you want to explore, through this tiny tiny surface of a drum.
Marimba is much more of a wood-type experience and there is no real possibility of getting a dry sound, and getting that contrast in the same way that you can in a vibraphone.
Music is about communication... it isn't just something that maybe physically sounds good or orally sounds interesting; it's something far, far deeper than that.
Music really is our daily medicine.
My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It's a very powerful instrument, but it can also be soothing, like velvet. It's a real challenge for composers.
My first real foreign holiday was my honeymoon 20 years ago, and we went to Bali. It was particularly special for that reason, I enjoyed it very much - I had packed music scores and a practice drum pad, suspecting that I would be completely bored, but actually they remained in my case.
My hearing is out of the ordinary as others might see it, but not for me. I'm used to my hearing in the same way that I'm used to the size of my hands.
My role on the planet is to bring the power of sound.
Once you're in a particular country, and you're surrounded by musicians who are so adept at traditional music, you suddenly realize how much there is to explore and digest and learn and experience.
Percussion is physical, as most instruments are. The body must function well in order to play the instruments well. Last year I climbed Mount Kilimanjaro.
Percussion is the most adaptable family of instruments. The biggest challenge is to project percussion in a lyrical way.
Society cannot continue to disable themselves through their need to categorize people or make assumptions as to another individual's abilities.
The audience plays a huge part in how a piece will actually form. They really allow the performers to walk a tightrope in a way that never seems to happen in the privacy of your own four walls. I'm listening to the audience, and they're listening to me.
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AuthorName
Evelyn Glennie
Profession
Musician
BirthDate
19 July, 1965
Country
Scotland
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