Photographer Quotes

I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
I respect newspapers, but the reality is that magazine 'photojournalism' is finished. They want illustrations, Photoshopped pictures of movie stars.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
I think photography is closest to writing, not painting. It's closest to writing because you are using this machine to convey an idea. The image shouldn't need a caption; it should already convey an idea.
I think the prom is very serious also. It's an American ritual, it's a rite of passage, and it's very much a part of this country.
I wanted to travel from the beginning. As a kid, I used to dream about airplanes, before I ever flew in one.
I was fascinated by my own prom pictures.
I was something of a problem kid. I was emotional, wild, rebellious at school. I'm very touched by kids who don't have advantages; they are much more interesting than kids who have everything. They have a lot of passion and emotion, such a strong will.
I was thinking about how fleeting and precious life is. Life is also arbitrary. For example, the choices that you make, the luck of being born into the right bed, to parents who support and help you and who love you. That doesn't always happen - and then, what happens when it doesn't?
I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.
I would die if I had to be confined. I don't want to feel that I'm missing out on experiencing as much as I can. For me, experiencing is knowing people all over the world and being able to photograph.
I'm a documentary photographer. That's what I've always wanted to be; that's where my heart and soul is.
I'm a street photographer, but I'm interested in any ironic, whimsical images, and there's something very romantic about a circus.
I'm just interested in people on the edges. I feel an affinity for people who haven't had the best breaks in society. I'm always on their side. I find them more human, maybe. What I want to do more than anything is acknowledge their existence.
I'm just interested in what makes a photograph.
I'm most interested in finding the strangeness and irony in reality. That's my forte.
I'm not against digital photography. It's great for newspapers. And there are photographers doing great work digitally. When they use Photoshop as a darkroom tool, that's fine, too. But at this point of my life, after so many years, I don't really want to change, and I still love film.
I'm not much for cats. I'm terrified of mice. I've worked a lot with elephants, and they are extremely intelligent and sensitive, and thankfully, they seem to like me. You never want to get on the bad side of an elephant. And never trust a chimp.
I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.
I've always been fascinated by twins. In my forty years of photographing, whenever there was an opportunity, I would take a picture of twins. I found the notion that two people could appear to look exactly alike very compelling.
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