Alex Lifeson Quotes Quotes

Bryan Adams might not be what I want to put on, but he's a pop singer with a great voice and great guitar tone. Plus, he's done more for Canada than Rush have, because he works all the time. I envy him for that.
Everybody has terrible things that they deal with. Everybody. Just because you're some big shot rock star doesn't mean you're immune to having these awful tragedies in your life.
Hendrix was a natural genius who played many beautiful styles. Talent as great as his doesn't come through life very frequently. Hendrix was one in a billion.
I don't know how many times I heard older people, and not just parents but just older people, say, 'Oh, my God. Your generation is just totally nuts. You have no sense of what it was really like, when it was great.' And every generation has that same feeling, you know?
I don't want to be 70 years old jumping around onstage.
I dreamed of having a Gibson. I had a cheap Kent - you know, a Japanese guitar - and then a Kanora, a Japanese guitar. I borrowed a friend's Harmony for years. To have a Gibson was really, really my dream as a kid.
I enjoyed art in school. I've always done little drawings and stuff like that. I don't really know what I'm doing with the painting, but I experiment.
I really consider myself more of a rhythm guitarist than a soloist.
I really don't feel the need to be in the Rock and Roll Hall of Fame because, at the end of the day, it's just somebody's Rock and Roll Hall of Fame. They have a particular process, and they're welcome to do it however they want to do it.
I think Rush have always had this reputation, particularly to non-fans, of being an ultra-serious and cerebral group when, in fact, the reverse is true. We don't take ourselves seriously at all. Sure, we take our music seriously, but that's altogether different.
I think the whole '2112' album took somewhere around a week to do.
I went to Kalamazoo to get my first Gibsons back in '76.
I'm not that fluid when it comes to scales and modes. I just pick up the guitar and play. It's all about exploration: just tune the guitar any way you want and start playing.
In September 1968, Rush played for around 20 people at a small hall in a church basement. We played songs like 'Spoonful,' 'Fire' and 'Born Under a Bad Sign,' and got paid $10. Then we went to a nearby deli and ordered Cokes and French fries and started planning our future.
It used to be that you made an album and then you went on the road to promote that album, hoping for good record sales. Well, good record sales basically don't exist any more, and the emphasis has been more on the live show.
It's a wonderful thing to be able to see your music going from generation to generation.
It's hard to stop wars, and it's hard to stop the abuse of the planet and all of those things. I guess you just do what you can do and voice your concern.
My parents got me a $25 Kent steel-string acoustic guitar when I was around 12. The following Christmas, my parents bought me a Conora electric guitar. It looked almost like a Gretsch. It cost $59, and my mom still has it.
Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.
One doesn't want to feel too contented; you have to feel challenged by the music.
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AuthorName
Alex Lifeson
Profession
Musician
BirthDate
27 August, 1953
Country
Canada
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