Editor Quotes

When you're getting old, obviously you try to put on the best cream, you have massages, you try to stay beautiful, but I think wrinkles can sometimes be more beautiful than having none.
When you're writing, you're on your own, and I like to work as a team.
Working for a magazine, you have a boss; you are not free.
Working with Barneys, and choosing the looks, I was thinking about whether a real woman would buy this outfit and feel beautiful and comfortable.
Yes, I can speak a bit and I can read and write in Russian. I learned it from my grandmother who raised me with all the Russian fairytales.
You can be beautiful with big breasts; you can be beautiful in your 40s. If you don't have perfect ankles, still you can move your legs in a certain way and look very sexy.
You can be covered and be very sexy. It's not what you show; it's what you have in mind, the way you cross your legs, the way you talk to people.
You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.
You discover yourself through the research of your work.
You don't choose your public; your public chooses you.
You know it's very important, the role of a mother... I don't know, but it's feminism to me to love your kids.
You lose attitude when you feel too comfortable, so I prefer to wear clothes that have a certain edge to them.
Everything else - music, cinematography, costumes, design, acting - can be judged at face value. But when you're looking at editing, you don't know what the totality of the material was, and you don't know the working dynamic between a director and an editor - whether the editor was micromanaged or given free rein. It's very difficult.
I think I approached 'Captain Phillips' as I would any project. I always try to understand the story, characters, and themes as deeply as possible and then work as hard as I can to make those things come to life.
I'm the third generation of my family in the film business, and I grew up with a deep passion for movies. I made my own Super 8 films when I was a kid and always loved the editing process.
I've written under the radar for quite some time, and I always looked at editing as writing.
If you can depict situations and explore life in a truthful way and explore areas of grey - because that's where the truth lives - and you can do that in an objective way and allow people to take from that what they will, I think it's a satisfying sweet spot with storytelling.
My father always told me that story was first and foremost. We would watch not just his films but a lot of classic American films. My father was a great David Lean fan, and David Lean's one of my favorite directors. We would discuss films endlessly.
When I left high school, my dad was directing a film, and I went to work for him as a P.A. There were two wonderful editors, Bud Isaacs and Bernie Balmuth, working on the project, and every chance I had, I would go to the editing room to watch and learn from them.
I think, though, that people will read into a reporter's story a bias that they want to see in a reporter.
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