Amanda Foreman Quotes Quotes

From Lady Carlisle's trip to Moscow in 1663 to Veronica Atkinson's tour of duty during the 1989 Romanian revolution, it is clear that very little has changed. Four hundred years of innovation, liberation, and improvement clearly bypassed the Foreign Office while making its rounds through Westminster.
George III's ability to step in and out of his role fed stories of commoners chancing upon a sturdy gentleman by the wayside who later turned out to be the king.
I go into the local chemist, and I can hear people saying, 'Oh my Gaaahd - it's Lisa Kudrow!' And there's a famous Amanda Foreman, an actress two years older than me, who appears in 'Private Practice'.
I think that once you become a parent, you cease to think of yourself as a hero or heroine.
I want my children to see what all my work leads to.
I was a graduate student at Oxford when I discovered Georgiana.
I was there for the making of Young Winston, but guns kept going off. I went 'Waaaaah,' and someone said, 'Please get the child off the set.'
I would like to say a few things about that photo in 'Tatler'. I have no regrets. The article was about the 20 cleverest people in England, covered up only by the thing that makes them clever. A saxophonist, for example, had only his saxophone, and an artist, his easel. So I was covered by books.
I'd gone to Oxford to do graduate studies in the history of the slave trade, but I came across Georgiana's letters, gave up that thesis, and wrote one on her instead. When I learned that Georgiana's great-nephews supported opposite sides in the American Civil War, I knew this would be the perfect sequel.
In 1861, Bachofen published his radical thesis that the Amazons were not a myth but a fact. In his view, humanity started out under the rule of womankind and only switched to patriarchy at the dawn of civilization.
In 1874, Mary Fraser accompanied her husband Hugh to Hong Kong, arriving hours after a typhoon had wrecked the island. Some 10,000 boat families had drowned in the harbour. There was no way to avoid the bloated bodies, and when Mary disembarked, she felt her foot land on something soft.
In 1961, an official U.S. commission oversaw thousands of events to celebrate the 100th anniversary of the American Civil War. All 50 states joined in, but not surprisingly, the biggest events took place in the 11 southern states that made up the defeated Confederacy.
In New York, appearance is a form of currency or, at the very least, a calling card. One must look wealthy in order to be recognised as a person of worth.
It is our lack of will that lies behind the continued denial of justice to Jean McConville. Yet there is something that we can do now for her and for ourselves before our silence turns us from spectators into passive accomplices. We can remember her.
It isn't enough for a book to be transporting or entertaining; it must also come from a place of knowledge and an understanding of aesthetics. Even where a longlisted book wears its craftsmanship lightly, the power of the writing shines through.
It might sound strange to describe New Yorkers as insecure when they delight so much in the cult of success. The display of wealth here, especially new wealth, is indeed wonderfully frank, from the super-long limousines which clog up the roads to the voluptuous fur coats that adorn both men and women.
Marie-Antoinette was born in 1755, the youngest daughter of Empress Maria Theresa of Austria and Emperor Francis I. She was intelligent and artistic but devoid of the ambition or calculation required to survive in the fetid atmosphere of the French court. In many ways, her character was not unlike that of Mary, Queen of Scots.
One of the reasons it is considered such a privilege to sit on a Man Booker jury is because it is famously rigorous. The judging is not a gig for lightweights. Not only are all five judges expected to have read all 155 books from beginning to end, but they have to be able to talk fluently about every book at length.
Over the years, the writers at DC Comics softened Wonder Woman's powers in ways that would have infuriated Marston. During the 1960s, she was hardly wondrous at all, less a heroic warrior than the tomboyish girl next door. It was no longer clear whether she was meant to empower the girls or captivate the boys.
Political correctness may make for smooth edges, but it does little for the imagination and nothing for the arts. Writers work best when they are exploring at the outer limits of what is traditional, acceptable, or conventional.
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