Scotland Quotes

I was at the tail end of the family. The next brother along was already seven years older than me. I remember growing up by myself, playing games by myself.
I went to the top of Vesuvius and looked in.
I wouldn't call my work Modernist. I would rust if I try to think about labels. I'd feel like the Tin Man in 'The Wizard of Oz.'
I'm blessed in my good friends, and some of them happen to be writers, though that's almost never what our friendships are about. And every writer I've ever read, living or dead, has in one way or another helped and inspired. I have a feeling it's important not to mix the two up.
I'm happy to have nothing, so long as I'm sure I've been working.
I'm quite good on the harmonica and can get a tune out of most musical instruments, so long as the tune is 'Oh Susannah.'
If you can read the world as a construct, you can ask questions of the construct, and you can suggest ways to change the construct.
In the end, will truth matter? Of course truth will matter. Truth isn't relative. But there's going to be a great sacrifice on the way to getting truth to matter to us again, to finding out why it does, and God knows what shape that sacrifice will take.
It's the word 'artful'; it's such a great word, with its dark and its light side, its art and its cunning, the craft and the crafty of it - I've been preoccupied with the word 'artful' and the twin notions of 'cornucopia' and 'pickpocket' it suggests for quite some time.
Love and the imagination are connected.
My father is from Newark in Nottinghamshire and my mother is from the very north of Ireland. They've ended up in Scotland, where my father - well, both of them - will always be seen as having come from somewhere else.
My nature is feminist. How could you not be a feminist and be alive? The world is full of brilliant, interesting women.
Nothing is harmful to literature except censorship, and that almost never stops literature going where it wants to go either, because literature has a way of surpassing everything that blocks it and growing stronger for the exercise.
People tend to see modernism as the opposite of a celebration. They see it as a fracturing and an art built round an absence, but it's really a celebration of our existence.
Short stories consume you faster. They're connected to brevity. With the short story, you are up against mortality. I know how tough they are as a form, but they're also a total joy.
The rhythmical unit of the syllable is at the back of all of it - the word, the phrase, the sentence, the syntax, the paragraph, and the way the heart moves when you read it.
The things in life which try to pin us down are the things we have to try to work against.
The world asks us to be quickly readable, but the thing about human beings is that we are more than one thing. We are multiple selves. We are massively contradictory.
There's a point at which we make our lives, but we also take the path which is given to us.
Trees are great. Don't get me started about how clever they are, how oxygen-generous, how time-formed in inner cyclic circles, how they provide homes for myriad creatures, how - back when this country was covered in forests - the word for sky was an Old English word that meant 'tops of trees.'
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AuthorName
Alan Cox
Profession
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BirthDate
22 July, 1968
Country
Wales
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