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From the very first movie I ever made to the current time, there have been times between action and cut when I've sensed some kind of new dimension that I haven't been familiar with before.
He's Soderbergh, we're working for him. It doesn't matter what he's doing; we'll see it at the premiere.
I have always had this energy, which I think of as overdrive.
I have to be stretched in some way. There's not enough things that come my way that I fancy.
I was very disappointed that so much of the work I did on The Haunted Mansion didn't arrive in the final cut.
I wasn't at all sure I could make that sort of leap into that sort of comic book reality.
I work primarily for the camera-it's not something I really talk about a lot, but it's part of the way I am as a movie actor. The camera is my girl, as it were.
I've been doing Tai Chi on and off for 20 years. The fundamentals of all martial arts are the same.
I've never wanted to become a politician, an interior decorator, I've never wanted to speculate and make a load of money. I just wanted this.
In my youth I dreamed of being an illustrator.
In the case of Elektra I really wasn't sure I could pull it off. There were so many intellectual leaps. My character, Stick, is blind, but he can see better than most people. So I had trouble kind of finding the logic.
It wasn't until I saw James Dean that I began to think that maybe I could actually do this. Movies didn't have to be just this fantasy with this impossibly handsome guy.
It's such a performance to bring stuff into America. It's a great luxury when I am in England.
My favorite film is Gene Tierney and Tyrone Power in The Razor's Edge.
My star was kind of fading towards the end of the '60s and suddenly I got this call from Fellini, who just appeared to kind of love me!
Peter Ustinov was the first really positive influence in my career. He was real and he bore witness to it. The things he said to you, he lived them.
Unless I try, I'm never really going to be at ease with myself.
What I wanted more than anything was a long career.
When I tested for Billy Budd, I had that kind of confidence that comes with the certainty that you're not going to get something. I was very rough around the edges.
With Fellini, the fear dropped out of my work because it was such a happy experience... hanging out with Fellini, having pasta on the set with Fellini, and going out with Fellini!
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AuthorName
Alain Resnais
Profession
Director
BirthDate
03 June, 1922
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