Elvis Mitchell Quotes Quotes

I want to expand and not ignore the late 20th-century additions to filmed entertainment.
I'm honored to be asked by Stephanie Allain - whom I've long admired - to add to the scope of my programming purview at Film Independent. I salute David Ansen for his work with the festival and look forward to continuing to follow his example.
I've been cheered by the reaction to what I've done with Film Independent at LACMA and the organizational support I've received in pursuing it.
I've enjoyed living in New York for the last 10 years, where there's a real film culture, with the Film Forum and Lincoln Center.
Ice Cube went straight outta Compton to hearing, 'Are we there yet?' Eddie Murphy blew up striding across the stage in a red leather ensemble that would have made Elvis Presley chuckle, yet is probably best known to anyone born in the 21st century as the overly chatty donkey from 'Shrek.'
If a movie requires the lead actor to spend a good chunk of his onscreen time talking to himself, and Popeye is unavailable because of contractual disputes, it's hard to do better than Johnny Depp.
If Mr. Chan ever makes another movie like 'The Tuxedo,' it's American audiences that will see him in court. With 'Shanghai Knights,' he has come through with one of his best. This time, it's personable.
If somebody wants to attack my work, that's one thing - that, I'll respond to.
If you start off as a fearsome figure in pop culture, it's almost axiomatic that at some point, years under the lights softens you into a cuddly family figure.
In 'Requiem for a Dream,' the director Darren Aronofsky's adaptation of Hubert Selby Jr.'s lower-depths novel, Jared Leto has lost so much weight, he looks like another person altogether.
In 'The Adjustment Bureau,' Damon shows movie-star concentration as David Norris, a politician whose world ambitions hit a pothole when his angry streak becomes public.
In 'Training Day,' Mr. Washington's dry-ice grandeur - the predator's reflexes contrasting with a pensive mouth - deserves regard, and his powerhouse virtuosity will almost guarantee him an Oscar nomination.
In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
In 2013, when it turned out that the plot of LaBeouf's short film 'HowardCantour.com' (2012) had been purloined from graphic novelist Daniel Clowes's 2007 comic 'Justin M. Damiano', the actor-director responded with a series of tweet apologies that also appeared to be shoplifted.
In his very first film, Mr. Gonzalez Inarritu makes the kind of journey some directors don't - or can't - travel in an entire career.
In period films, it always helps to have someone built to carry a sword, and Channing Tatum clearly hasn't missed a workout for the past two years, so he fits the bill in that regard.
In the early '60s, it was still a fairly subversive thing, though, to say that you should take a painting, cut it, set it on fire, step on it, hammer nails into it.
Inarritu's films focus on the repercussions of a single act that draws people together and simultaneously throws their lives into chaos.
Inarritu's own nomination for Best Director for 'Babel' was the first such honor for a Mexican director.
It is evident that the grip of 'The Return of the King' on Mr. Jackson is not unlike the grasp the One Ring exerts over Frodo: it's tough for him to let go, which is why the picture feels as if it has an excess of endings. But he can be forgiven. Why not allow him one last extra bow?
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AuthorName
Elvis Mitchell
Profession
Critic
BirthDate
06 December, 1958
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