Elif Safak Quotes

Art and literature should help us to get out of our mental cocoons.
Bad writing is like a bad relationship. Don't be addicted to it just because you are familiar with its ways. Let go.
Books change us. Books save us. I know this because it happened to me. Books saved me. So, I do believe through stories we can learn to change, we can learn to empathize and be more connected with the universe and with humanity.
English, for me, is an acquired language. I started with English at the age of 10. At the time, it was my third language.
For me, coming from the women's movement, politics is not just about parties and parliament. There is politics in our private space and in gender relations as well. Wherever there's power, there's politics.
For me, writing stories is one way of feeling connected to the universe and God.
God is the biggest storyteller, and when we create stories, we connect with him and with each other across cultural, religious and gender boundaries.
I find families intriguing, perhaps because I did not grow up in one. I was raised by a feminist, independent, single mother, a divorcee.
I like to question cultural biases wherever I go, and I question Islamophobia as much as I question anti-western sentiment because I think all extremist ideologies are very similar.
I love commuting between languages just like I love commuting between cultures and cities.
I realized over the years if I'm writing about humor, irony, satire, I much prefer to do that in English. And if there is sorrow, melancholy, longing, I much prefer to do that in Turkish. Each language has its own strength to me, and I feel connected and attached to both Turkish and English. I dream in more than one language.
I spent my entire childhood observing people. I still do.
I was in Madrid as a young girl and a teenager. I'll never forget when I went to the Prado Museum for the first time and saw the paintings of Goya. They had such a big impact on me.
I write as if I were drunk. It is a process of intuition rather than placing myself above my story like a puppeteer pulling strings. For me, it's a scary, chaotic process over which I have little control. Words demand other words, characters resist me.
I write my novels in English first; then they are translated into Turkish by professional translators. Then I take their translation and rewrite. So basically, I write the same novel twice.
I write with humour about sadness, to introduce an element of sweet to the sour, a bit like Turkish food.
If there is no love between the author and the story, there is no love between the reader and the story.
If you are a writer from Turkey, Pakistan, Nigeria, Egypt, you don't have the luxury of being apolitical. You can't say, 'That's politics. I'm just doing my work.'
It is tiring to be Turkish. The country is badly polarised, bitterly politicized. Every writer, journalist, poet knows that because of an article, a novel, an interview, a poem or a tweet you can be sued, put on trial, even arrested. Self-censorship is widespread.
My readers are surprisingly mixed. I have conservative readers - for instance, women with headscarves - but also many liberal, leftist, feminist, nihilist, environmentalist, and secularist readers. Next to those are mystics, agnostics, Kurds, Turks, Alevis, Sunnis, gays, housewives, and businesswomen.
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Elif Safak
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BirthDate
25 October, 1971
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Turkey
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