Spain Quotes

The film kept me from working as a secretary. It was a real stroke of luck. A miracle.
There's nothing more human than two people making love.
When I said I was going to audition for a film, I got a hearty laugh from all my family.
When you have to get into the character each morning, give it your voice, your face, it was torture.
You can fake your age or mask it, but the passion that moves the characters has to be real.
After that I won a prize, I was with a group of ancient music of Spain that they helped me a lot with a grant, you see, during three years. And so I made my debut in 1944 and I found myself helping my family, it was a very poor family.
And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
And finally I begin to have such a success in my examinations that I found myself in a career you see.
But I have never wanted to be a singer, because the exterior part of a career, I don't like very much.
But I think it is more difficult to do a career as a lieder singer, and there have been less lieder singers.
But it's always really difficult to find someone that has the qualities to be a great accompanist.
I don't like traditions, I am very personal, very independent, I don't like intimate ladies, I mean in German lieder there's a lot of copy, a lot of imitation, a lot of tradition, and this I have put it aside.
I like what it is to sing, or to be with the others singing, to make music, but the fuss and all the things that are the exterior part of a career, has never interested me.
I must say to you that my intensions for instance doing German, it is because Victoria de los Angeles is nothing to do with wanting to be like a German singer.
In reality I have said very little things; I didn't point out many things to Geoffrey, I trusted very much not only his understanding of what I was doing, or what I wanted to do, in that moment.
Not unless I do all these ancient and Italian or French or Baroque in the beginnning, I do German.
Of course the death of Geoffrey has caused a lot of trauma to me generally.
So don't think in reality I am a singer, I think I am a human being that has sung always all her life, and has learned a little to sing, and has found herself in the middle of a career.
This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.
To search for a pianist, it is very difficult; sometimes you find one.
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AuthorName
Al Hirt
Profession
Musician
BirthDate
07 November, 1922
DeathDate
27 April, 1999
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