Sally Mann Quotes Quotes

I remember when the family album came out, people would just knock on our door because they thought they knew us, and that, of course, is one of the great hazards.
I taught up in Maine a couple of times and wasn't able to take a single picture. All that blue sky! Ugh. Sparkling clear air, just terrible. I couldn't do it.
I think the media is a fear-mongering operation. They love to rile their viewership up or to scare them.
I try and take the commonplace - and some of it is writ large, like death - take the commonplace and make it universally resonant, revelatory, and beautiful at the same time.
I was just taking pictures to see what they looked like. Just for the fun of it. It wasn't about anything in some cases. Some of them were just about the joy of opening up an aperture and seeing what shows up.
I work all the time. I never leave home. I mean, I just stay honed in on what's ahead.
I'd park myself in the bookstore and read with one eye on everyone coming in. I remember reading a Robert Bly book of poetry.
If I take enough pictures, I'm going to get a good one, and I know not to stop at a bad one.
I'm just the opposite of a lot of photographers who want everything to be really, really sharp. And they're always, you know, stopping it down to F64.
I'm not a good photographer, not a good writer. I'm a pretty regular person whose insecurity is so pervasive that it makes me always feel vulnerable.
I'm not an ardent feminist - well, maybe I am an ardent feminist. I just roll my eyes at the way women are constantly used and how sensitive men are about photographs of themselves.
I'm the weird person who completely loved and devoured 'Middlemarch' but who has not finished far shorter and more readable books due to distraction or the fact that by some miracle I am sleeping through the night.
Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
It didn't help my career to be living in Appalachia.
It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
It's not a lack of confidence, because I can't argue with the fact that I've taken some good pictures. But it's just a raw fear that you've taken the last one.
It's usually so fraught when you're taking a picture. I work with an 8-by-10 view camera and there's a, you know, hood that I put over my head, and it's tricky and complicated.
Maintaining the dignity of my subjects has grown to be, over the years, an imperative in my work, both in the taking of the pictures and in their presentation.
Matte digital prints are gorgeous, don't you agree? But the glossy digital prints, I just can't stand that paper.
The fundamental thing about my personality is that I think I'm an imposter.
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AuthorName
Sally Mann
Profession
Photographer
BirthDate
01 May, 1951
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