Rod Lurie Quotes Quotes

Rehearsing is more about blocking in the case of movies, I think, and blocking, of course, is very important to the beauty of a scene.
Sam Peckinpah's movies probably say more about him than anybody's body of work says about that person. There are running themes in his films that I find eminently fascinating, disturbing, exhausting, and exhilarating.
Simply stated, sometimes journalists can only get their information from informants who must remain anonymous in order to protect their careers and sometimes even their lives: Watergate: Confidential sources. The Pentagon Papers: Confidential sources. Enron: Confidential sources.
Some nights I lie awake at night thinking, 'What's going to stop someone from smashing a chair through my window and coming in the house at two in the morning?' It is very unnerving. It's a realistic scare, which is the worst kind of scare that you could have.
Somebody - and I'm going to guess it was Hitchcock - once said that everyone has their reasons. If you remember that, as a writer, you'll write better than average villains.
Sometimes, anonymous sources, when merely stating opinions or running a smear campaign, are certainly cowards.
Take a look at Mila Kunis. When you see her performance in 'Forgetting Sarah Marshall,' you see a beauty there, and also a sadness.
The ability of the press to print their stories without the government trying to get them to betray their sources is as essential to a free press as the ink it is printed with. Otherwise, who will hold accountable those who hold power over us?
The common denominator of the great women leaders in the world - Indira Gandhi, Margaret Thatcher, Golda Meir - is that they're dramatically nonsexual.
The election of Obama will say as much about the American people as it does about Obama himself - that our Declaration of Independence means what it says in its opening lines, that being the world's greatest nation means that we offer the world's greatest opportunities.
The fight to get a shield law barring the government from being able to jail journalists is itself a non-partisan battle.
The First Amendment is the First Amendment for a reason - our most cherished right. But it often creates muddy and uncomfortable situations, ones that are the source of great drama and national self-reflection.
The freer a society becomes, the freer its arts can flourish and be exported.
The point of remaking 'Straw Dogs' is not to replicate the philosophies of Sam Peckinpah at all. What made that film singular was the attitude that he brought to the characters. Oddly enough, that's the one thing that I really wanted to change.
The truth is that I have never created a president to push a political point of view. I am often looking to create aspirational characters; that's true. But, you know, in the end, it is really up to the actor in front of the presidential seal to decide exactly what kind of president you're going to get.
The truth is that we're not remaking Sam Peckinpah's 'Straw Dogs,' we're making 'Straw Dogs.' We're taking this story, and we're putting our own spin on it. The mere fact that I have James Marsden in it is an indication that it's a very different film than the one that had Dustin Hoffman in it.
The truth is that when a man has a child, and it's a girl, and he doesn't change as a man, he's not much of a man.
The United States military is probably the most socialistic institution in the United States.
The way that one feels about the story line of 'Deterrence' can tell us, I believe, about each person's conservatism or liberalism and precisely how tolerant he or she is of racism.
There are a lot of westerns that deal with people standing up for their principles, and that is the predominant theme that has been in my films.
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AuthorName
Rod Lurie
Profession
Director
BirthDate
15 May, 1962
Country
Israel
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