Robert Hilburn Quotes

Artists frequently argue that videos trivialize a song and that touring for months at a time works against the creative process, not to mention maintaining a normal lifestyle. Doing something about these complaints, however, is rare because promotional videos and touring are considered essential elements in building multimillion-unit album sales.
As soon as I started working at the 'Los Angeles Times,' people warned me not to get too close to artists because it could make it difficult to review their work, and you can never really tell if the 'friendship' is genuine.
At the 'L.A. Times,' I always wanted to write about artists I thought were meaningful. So I interviewed Bob Dylan, John Lennon, Bruce Springsteen, U2, Stevie Wonder, Michael Jackson, Eminem, White Stripes. And I could understand how almost everybody I interviewed had a sense of artistry.
Because record companies do not routinely release sales figures the way film studios do, the weekly charts in trade publications like 'Billboard' provide the best independent measure of record appeal.
By 27, Bob Dylan had already written 'Highway 61 Revisited,' the Beatles had released 'Rubber Soul,' Bruce Springsteen had recorded 'Born to Run' and U2 had delivered 'The Joshua Tree.'
Country music tends to be so sentimental and homespun, it's easy to stumble into self-parody, but Haggard has brought a freshness to the themes that places him alongside Hank Williams and Willie Nelson as one of the greatest country music writers.
Courtney Love is so famous among journalists for her loquaciousness that the joke is that you don't have to worry about questions when you interview her - just be sure you have lots of tape.
David Bowie, who spent most of the '70s establishing himself as a master of psychological disguises, is spending the '80s trying to convince us that he's just a regular fella - or at least as close to one as a millionaire pop star can be.
Elvis may have been my first hero, but you couldn't relate to him.
Elvis Presley, The Rolling Stones, David Bowie and The Sex Pistols may come and go, but rebellion remains a key part of the rock n' roll experience. However, that rebellion - the outgrowth of a youthful search for independence and identity - doesn't always take the same form.
Even though The Cure helped pioneer the jangly, dance-oriented guitar and keyboard style it continues to embrace, there are other bands that now employ the post-punk style with greater flair. This leaves The Cure's live presentation seeming a bit anonymous.
Growing up in the icy isolation of Hibbing, Minn., Dylan, who was still Robert Allen Zimmerman then, found comfort in the country, blues, and early rock 'n' roll that he heard at night on a Louisiana radio station whose signal came in strong and clear.
His belief in the power of music to convey ideas - not just entertain - has filtered down to musicians in every field, from alt-rock to hip-hop, from Bruce Springsteen and U2 to Arcade Fire and Kanye West. Popular music is different because of Johnny Cash.
I didn't have any idea that Gwen Stefani would evolve into this symbol of womanhood in America, but to me, that's not a musical story: it's a fashion story.
I didn't know if I should tell people that Johnny Cash had an affair with his sister-in-law while his wife was pregnant. How much does the public need to know about a performer?
I don't understand why people take Beyonce so seriously. You don't feel like there's a living, breathing person. It's not flesh and blood. It's just flesh and flesh.
I don't want to be the cranky old guy, but a lot of critics are too forgiving of mediocre artists. When you see these 'American Idol' people on the cover of 'Rolling Stone' being written about as serious artists, there's something wrong with that. You can erase them from the history of rock n' roll, and you wouldn't notice.
I first met Michael in the early days of the Jackson 5 at the family home in Los Angeles, and the memory that stands out is that Michael, as cute and wide-eyed as an 11-year-old could be, was eager to get through the interview so he could watch cartoons before having to go to bed.
I learned how difficult it is to be an artist. There are always compromises. The record company wants you to do this, your fans want you to do this, your family - you can't concentrate on your work.
I loved Roger Miller.
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AuthorName
Robert Hilburn
Profession
Critic
BirthDate
25 September, 1939
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