Yngwie Malmsteen Quotes Quotes

A lot of people don't know this, but I started out as a blues-based player, and then, when I realized after playing 18 hours a day that there's more than five notes per scale, that's when my stuff became what it was. I started listening to violinists and flautists, and that's how my style evolved.
A lot of people don't realize that guitar playing is very much like singing or playing any of the glissando-type instruments - you have to do it in tune.
A lot of people probably get the idea that I'm this extremely calculated kind of guy, and in a lot of ways, I am. But when it comes to music or artistic expression, I'm very uncalculated and do things very spontaneous. If I didn't do that, I wouldn't want to do this anymore. I can't just play the same thing over and over; it would drive me crazy.
At first, I didn't think playing guitar was the right thing for me to do. But after seeing Jimi Hendrix on television the day he died, I realized it was a really cool instrument to play and not wimpy at all, which was how I originally perceived it.
Because I write the music, I write the lyrics, I write the vocal melody lines - I write everything. Just because I let somebody sing something doesn't mean they're more important than the bass player or the keyboard player or the drummer.
Every day has to be a day that counts. It can't be a wasted day. I'm very dedicated to always keep doing something that I would consider good.
Every other guitar player was just copying other guitarists. From the time I was 13 up until 18, I practiced at least eight hours a day, every day. My health suffered for it - I was losing sleep and not eating properly.
Every record store and record chain has folded; they don't exist. They do not exist. And the only two outlets that would still sell CDs were Best Buy and Wal-Mart. They now have stopped selling it. There's nowhere you can go into a store and buy a CD in America. That's how it is.
Everything that I think that a society should offer someone, which is nothing other than the ability to be able to do what you wanna do, is offered by America.
I always wrote everything - I wrote all the lyrics, I wrote all the melodies, everything; it's just somebody else sung it. And to me, the singer is nothing else than a different... like a bass player or a keyboard player - they're not more important than any other musician.
I am convinced that there are few, if any, American people that could even start believing or understanding what living in a socialist country does to a person.
I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.
I didn't have to apply my mind to the aspects of scales and playing, and instead, I focused on creativity. I wrote music, but I didn't 'practice' it. So yeah, you can always get better and improve your technique, but hopefully, that comes through being a musician and composing and being a creative individual.
I don't work with anybody on the music, of course. But my God, some of the lyrics that other people have written were so shallow: 'Hey baby this, hey baby that.' I need substance to the words, you know? Give me depth!
I emigrated to the U.S. on February 3, 1983, when I was 19 years old. I joined Steeler right away and recorded the album the following month. I'd been playing in bands in Sweden since the age of 11, but 'Steeler' was my first album.
I grew up in a family that was very musical, learned the blues and everything like that. And I became a little bit frustrated with the simplicity of rock n' roll and blues. I started listening to a lot of classical music - mainly Bach, Vivaldi.
I had my own label, Rising Force Records, and made records, but had them distributed to the chains, to the retailers, but the retailers are gone - there's no physical sales anymore - so I'm not gonna make the CDs and have 'em put into trucks to go nowhere.
I joined Alcatrazz a month after I recorded 'Steeler.' The big difference between Steeler and Alcatrazz is that in Alcatrazz, I wrote the songs. When I went to the Alcatrazz audition, they had no songs and no direction. They also had a questionable drummer.
I learned a lot from other people, and was inspired by what they did, but I didn't copy anyone. I put many different blocks together to become what I am. I don't know if that would have happened if everything was handed to me on a plate.
I listened to all those blues records. They were great - Clapton, John Mayall. Then eventually I heard Genesis with Peter Gabriel, and I didn't really understand the difference then, but something struck me about the inversions and the diminished chords... they weren't as bluesy, and I loved it. I found out, that was very baroque-influenced.
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AuthorName
Yngwie Malmsteen
Profession
Musician
BirthDate
30 June, 1963
Country
Sweden
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