Mexico Quotes

It's so much easier when you're promoting a movie that you like!
Love is love. And it's much better than hatred and fear.
Making a film is like raising a child. You cannot raise a child to be liked by everyone. You raise a child to excel, and you teach the child to be true to his own nature. There will be people who'll dislike your child because he or she is who they are, and there will be people who'll love your child immensely for the very same reason.
Mike Mignola's 'Hellboy' was influenced by Lovecraft big time. He wanted to make his monsters Lovecraftian. But I think many other films have been influenced by Lovecraft - like 'Alien,' which is almost an outer-space version of 'At The Mountains Of Madness.'
Monsters are evangelical creatures for me.
Monsters are the patron saints of imperfection.
More and more, as I grow older, I find myself looking for inspiration in painting, illustration, videogames, and old movies.
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
Shooting a horror story with kids, I always explain really simply. They may be scary to watch, but they're a lot of fun to shoot. You know, the kids have a great time shooting these movies. Whether you let them watch it is another matter.
The creature from the black lagoon - I drew that creature almost every day, two, three times a day, for probably my first ten years of life, you know.
The great thing about Roald Dahl is he tackled the big questions of life without any fear of being shocking or brutal, because he knew the kids could take it.
The movie has to have some essence where you connect with it. The reason I'm doing 'Blade 2' and not 'Alien 4' is because I connect with the universe of 'Blade.' I don't connect with the universe of 'Alien.' Besides, I already did 'Alien 4': It's called 'Mimic.'
The problem with 'Don't Be Afraid of the Dark' was that it was designed to be a PG-13 movie. It was literally a horror movie for a younger generation. I was trying to do the film equivalent of teenage, young adult readers, and when they gave it an R rating, the movie couldn't sustain an R.
The reason there's a 'Hellboy 2' is not because the studios were passionate about the first one; it's because the numbers made sense.
The way I love monsters is a Mexican way of loving monsters, which is that I am not judgmental. The Anglo way of seeing things is that monsters are exceptional and bad, and people are good. But in my movies, creatures are taken for granted.
The way they control a population is by pointing at somebody else - whether they're gay, Mexican, Jewish, black - and saying, 'They are different than you. They're the reason you're in the shape you're in. You're not responsible.' And when they exonerate you through vilifying and demonizing someone else, they control you.
There is a heavy Mexican Catholic streak in my movies, and a huge Mexican sense of melodrama. Everything is overwrought, and there's a sense of acceptance of the fantastic in my films, which is innately Mexican. So when people ask, 'How can you define the Mexican-ness of your films?' I go, 'How can I not?' It's all I am.
There is art and beauty and power in the primal images of fantasy.
There is beauty and humility in imperfection.
There's nothing more political than fantasy.
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Adrienne Gusoff
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