Japan Quotes

My mother's brother, my uncle, was an actor, quite well known in the West End. He used to come over to our house, and he and I would put on performances for my family. From that, this love of performing and acting grew.
My vibe is a bit boyish: rock shirts, trousers.
Since ballet has such a solid classical framework, everything is supposed to be a very specific way, so you learn to look at things with an eye towards perfection. But in acting, it isn't always necessarily good to be like that - really magical things can happen when it's unexpected and messy.
The entertainment industry has an effect on social consciousness.
The thing about being a dancer-turned-actor is that you know what hard work is.
When I was, like, 10, I cooked a three-course meal for my family.
Action is drama. If we cannot make the audience laugh, smile or cry with us, we are not actors.
An actor's body should be full of emotions, whether it is happiness or sorrow, pain or joy, enraged or elated.
A lot of my stories are inspired by Japanese folklore or literature or movies: I've done stories based on Kabuki and Noh plays, and on Kurosawa's 'Yojimbo' movies.
There's a long history of anthropomorphic animals in Japanese literature. The so-called 'funny animal scrolls' were the first narratives in Japanese history, and the heroes of many folk tales have animals as their companions.
After I arrived in Basel, I initially attempted to continue the project of my days in Dulbecco's laboratory, namely, the transcriptional control of the simian virus 40 genes.
Although we often discussed the idea of research on the nature of antigen recognition by T cells in the laboratory in the late Seventies while I was still in Basel, the real work did not start until the early Eighties in my new laboratory at M.I.T.
At the suggestion of Professor Itaru Watanabe, and with his help, I left Japan at the age of twenty-three to pursue graduate study at the University of California at San Diego.
Even under normal conditions, how we can distinguish various events, various experiences, and be able to reproduce it later is, of course, a very interesting question and, I think, one that we face in day to day life.
Humans are very imaginative animals.
I became fascinated by the then-blossoming science of molecular biology when, in my senior year, I happened to read the papers by Francois Jacob and Jacques Monod on the operon theory.
I commuted to the prestigious Hibiya High School from my uncle's home in Tokyo. During the high school years, I developed an interest in chemistry, so upon graduation, I chose to take an entrance examination for the Department of Chemistry of the University of Kyoto, the old capital of Japan.
I decided to pursue graduate study in molecular biology and was accepted by Professor Itaru Watanabe's laboratory at the Institute for Virus Research at the University of Kyoto, one of a few laboratories in Japan where U.S.-trained molecular biologists were actively engaged in research.
I see myself as a scientist who is interested in what's going on inside of us.
Immunologists agreed that an individual vertebrate synthesizes many millions of structurally different forms of antibody molecules even before it encounters an antigen.
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AuthorName
Adela Florence Nicolson
Profession
Poet
BirthDate
09 April, 1865
DeathDate
04 October, 1904
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