Italy Quotes

Capucci was the biggest schooling I had. It wasn't just about the technical knowledge, such as color and volume, but also about the secret rules, and the beautiful codes of respect between the atelier and the master.
I don't shop. I buy things that inspire me, that give me emotion.
I have made bouquets of pleats, bouquets of flowers, bouquets of ruffles, bouquets of feathers. Often I design in mousseline, held tightly around the waist, and with something else going on all around.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
I want a woman to feel the cut of the scissors in the clothes.
I'm a label that wants to sell. I believe in clothes.
My clothes are for the international jet set. They are very much for the red carpet.
Rome holds my psyche in balance. Whenever I'm there, it's like a holiday.
The hardest thing in fashion is not to be known for a logo, but to be known for a silhouette.
The problem is that resuscitating old labels doesn't work anymore. I think it is very important to give hope to a new generation of designers, so that one day they really can put their own names out there.
A Schubert song, the A-major chord at the opening of Wagner's 'Lohengrin' - such incredible beauty is a mystery, the divinity of music.
As a little boy of 3 or 4, I became lame. Something was wrong with my right leg. There are pictures of me being pulled around in a little wagon. The doctors didn't know what to do. So my nanny took me to the miraculous Madonna at Sacro Monte in Varese, the priest blessed me, and I walked.
At the premieres, I always watch the audience. If a child asks to go to the bathroom, I know I've failed.
Fate has blessed me.
For better or for worse, in 'The Last Savage,' I have dared to do away completely with fashionable dissonance, and in a modest way, I have endeavored to rediscover the nobility of gracefulness and the pleasure of sweetness.
God gives you the gift of melody or He doesn't - it's as simple as that.
I can sit on a chair with a score and give myself a wonderful performance.
I guess I am running the risk of becoming the Hans Christian Andersen of opera.
I have a heart problem, so I have to simplify my life and be content with memories and friends and music.
I have always felt that art, especially music, is but a demonstration of God.
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AuthorName
Adam Weishaupt
Profession
Clergyman
BirthDate
06 February, 1748
DeathDate
18 November, 1830
Country
Germany
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