Italy Quotes

I often use the same harmonies as pop music because the complexity of what I do is elsewhere.
I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.
I want people to know about all the kinds of music that I write. Some believe I just write film scores, which is not true.
I was born in 1928, so in 1943, 1944, we had the war in Rome. There were a lot of hardships, a lack of food, many shortages. So when I worked with the Americans, the English, and the Canadians soon after the war, when I played with them, they paid me with food. That will give you an idea how widespread poverty was at that time.
If you scroll through all the movies I've worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I'm no specialist, because I've done everything. I'm a specialist in music.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
It could have been extremely boring to write musical scores for only westerns of horror films. It was really exciting for me to work in all these various genres.
Music needs room to breathe.
My favourite type of pizza is a Napoletana: tomatoes, mozzarella, and very few anchovies. It must have a thin base.
My more risky or avant garde music is not that well known to a wider audience, but I wish it was.
Some movies work really well with music from Bach or Mahler that existed long before the film, so music has its own autonomy.
The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.
They're all my children... every score I've done.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
Mediobanca is undervalued but less undervalued than other banks.
The 2012 payout will be the lowest in our history: well below 50 percent.
I believe most things can be said in a few lines.
I build engines and attach wheels to them.
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AuthorName
Adam Weishaupt
Profession
Clergyman
BirthDate
06 February, 1748
DeathDate
18 November, 1830
Country
Germany
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