Giorgio Armani Quotes Quotes

It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric - without a practical or visual reality.
It's not a good idea to match your shoes with a bag too stringently. Go for subtle similarity.
Marketing is not a nice word, but the world is about marketing now.
Milan is a true metropolis: strong and fearless but welcoming, too. Little by little, I came to realize that I could become someone here.
My relationship with Paris began when I was working for Cerruti in the mid-1960s. When there was an important event in his store, Nino Cerruti very kindly took me with him. I was fascinated, and the city made a big impression on me.
My well-known aesthetic sense, which is so obvious and personal, spontaneously spurs me to challenge myself with different disciplines.
My work has taught me to pay great respects towards human beings.
My work today is perceived as being classic, but when I first started out, it was a break from the norm. Since then, I have continued to reinvent myself. I don't change my style, but I allow it to evolve.
That is always what I've had to do in life: to show I am capable of surviving.
The essence of style is a simple way of saying something complex.
The excitement does not change. After 40 years in the business, I still find the show to be a magical moment - the performance anxiety, the litmus test.
The idea of the museum is to show my work since the start, and I wanted to show all of it, not just to choose between different pieces. They are grouped together in themes - minimalism, androgyny, black and white, graphic, flowers, and so on - from the earliest designs to the most recent ones.
The more successful I become, the more I want to remain like me, with my defects and insecurities.
There can be nothing without love. No money, no power. Love is very important. When you wake up in the morning, you need to know that somebody else is waking up, thinking of you.
These days, as I am older and wiser, I realize that there is a danger in becoming an icon, as people can see you as remote and untouchable, and they are less willing to tolerate you doing things that don't fit with their preconceived idea of you.
These designers have no reserve. They've chosen a path and thrown themselves onto it head first, regardless of everything. Whether or not their designs are sellable or vulgar. As long as it's new and people talk about it. That is the truth.
This is the problem with the world today: Nobody wants to take risks, to risk being themselves.
This is very much my philosophy as a fashion designer. I have never believed in design for design's sake. For me, the most important thing is that people actually wear my clothes. I do not design for the catwalk or for magazine shoots - I design for customers.
War taught me that not everything is glamorous.
When I started Giorgio Armani in the mid-'70s, I realized that women needed a way to dress that was equivalent to that of men - something that would give them dignity, an attitude that would help them handle their work life.
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AuthorName
Giorgio Armani
Profession
Designer
BirthDate
11 July, 1934
Country
Italy
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