Producer Quotes

Anybody who understands how a movie gets made understands that a deep-pockets player is not going to make a movie that has anything defamatory in it without protections.
Bruce Norris came in twice to audition for 'The Corrections' and subsequently spent many months negotiating every point in a four-year agreement to appear in the show.
Classics stay alive because a great actor or a great director wants to do them.
I always loved doing a movie with Daldry. That's always a huge factor for me.
I do what I feel I know how to do and don't do things that I don't. I'm a product of my sensibility.
I don't particularly have a wide social circle.
I got fired from a movie that ended up being called 'Windows,' which Gordon Willis, the cinematographer, directed. I got fired because he refused to cast Meryl Streep, who at the time was at Yale. I told him I thought he was an idiot, and he fired me.
I have a big affinity for the Coen Brothers.
I keep my overhead as low as I can.
I know that movies are basically meant to be entertainment, but I'm not that interested in entertainment.
I love stories about women, and I think stories about women are generally pretty underrepresented.
I love work. I love putting together a group of people who are all doing the same thing. The commonality of purpose.
I loved doing casting because I love actors, and I am very conscious of what actors do. But I always wanted to be a producer.
I think you have a responsibility to the people you're making movies with, and I take that very seriously. I don't want to let up and I don't want to let down.
I want to be able to go wherever I want to go, do whatever I want to do. I guard the material and the filmmaker.
I want to make serious work that engages with serious subjects. I'm very lucky: I get to more or less make what I want.
I was 10 years old, taking the train by myself to see Saturday matinees, something you'd never let a kid do now. I got very hooked on it.
I was once a fairly angry person.
If you have the ability and the wherewithal to create work that's basically in a discussion with the culture we're in, how could you not want to do that?
If you're going to spend two or three years of your life working on something, you've got to be making the kind of movie that discusses and influences the culture and is engaged in the world you're living in.
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