Douglas Sirk Quotes

A director in Hollywood in my time couldn't do what he wanted to do.
And in movies you must be a gambler. To produce films is to gamble.
And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world.
At the same time, of course, Marxism arose - Rosa Luxembourg, Leninism, anarchism - and art became political.
At the time I belonged to the socialist party, and Hitler came to power.
But I always wanted my characters to be more than cyphers for the failings of their world. And I never had to look too hard to find a part of myself in them.
For a house, somewhere near Los Angeles I found an old church. Very old, no longer used. So we moved the church to the land, and I took off the steeple, and I got my hands dirty.
I considered that the homes that people live in exactly describe their lives.
I never regarded my pictures as very much to be proud of, except in this, the craft, the style.
I think the great artists, especially in literature, have always thought with the heart.
I was making films about American society, and it is true that I never felt at home there, except perhaps when my wife and I lived on a farm in the San Fernando Valley.
I worked for UFA as a set designer, you know.
If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.
If I couldn't read, I couldn't live.
In the 19th century, you had bourgeois art without politics - an almost frozen idea of what beauty is.
Intellectualism came very late to America. That's why Americans are so proud of it. I found very few real intellectuals in America. But there are so many pseudo-intellectuals.
My idea at this time, which was slowly developing, was to create a comedie humaine with little people, average people - samples from every period in American life.
Rock Hudson was not an educated man, but that very beautiful body of his was putty in my hands.
Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.
So slowly in my mind formed the idea of melodrama, a form I found to perfection in American pictures. They were naive, they were that something completely different. They were completely Art-less.
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AuthorName
Douglas Sirk
Profession
Director
BirthDate
26 April, 1897
DeathDate
14 January, 1987
Country
Germany
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