Editor Quotes

I think it's very important for children to understand that women work and that it's fulfilling, and it doesn't mean that they love you any less or care about you any less.
I think of young Chinese women today as being incredibly modern and are taking a lot from Western style and tailoring.
I think possibly what people working for one hate the most is indecision. Even if I'm completely unsure, I'll pretend I know exactly what I'm talking about and make a decision. The most important thing I can do is try and make myself very clearly understood.
I think we're living, in terms of media, in a very democratic age, but I think that we still look at everything through the lens of 'Vogue' and through our own point of view.
I think what you have to do in print is to create even more memorable images and more memorable pieces because what one consumes online or in social has a much shorter shelf life, so to speak, so what print has to have is no more weight, but it has to be something that you can't find so easily online. It has to really stand for print.
I want 'Vogue' to be pacy, sharp, and sexy - I'm not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She's interested in business and money.
I was brought up in a family of journalists, and a mother who was deeply committed to human rights, so I think that the mix of those two huge influences have been very, very important to me.
I went to Wimbledon before I could walk. It's just been a lifelong passion.
I'd always been extremely fascinated by the French Nuit Blanche, which is a weekend that they have in Paris where they keep all the museums open until dawn. You can go and hang out in Versailles in the middle of the night and watch the sun come up.
I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.
I'm horribly hands-on, I'm afraid. I like to read every caption.
I'm struck these days by how often people come up to me and ask to take a photograph instead of shaking hands, meeting one's eyes, and having an actual conversation.
I'm very driven by what I do. I am certainly very competitive. I like people who represent the best at what they do, and if that turns you into a perfectionist, then maybe I am.
I'm very good at delegating - people work much better when they have a real sense of responsibility. But at the same time, I don't like surprises. I don't pore over every shoot, but I do like to be aware at all times of what's going on.
I've been thinking a lot about the speed and spectacle in today's fashion industry, because they seem to mirror stresses in other creative fields.
I've been very lucky to put women that I sincerely admire on the cover of 'Vogue:' the then First Lady and now Secretary of State Hillary Clinton and, more recently, First Lady Michelle Obama. Those were benchmarks for the magazine, and certainly covers that I've been very, very proud of.
I've never worn a hoodie before!
If my style is too direct for some, maybe they should toughen up a bit.
If one comes across sometimes as being cold or brusque, it's simply because I'm striving for the best.
Imperfection is fine.
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