Adrian Tomine Quotes Quotes

'Drawn & Quarterly' has always given me complete editorial control over my books and comics, so any decision about what to include or exclude from the book was my own.
'Peanuts' is a life-long influence, going back to before I could even read.
'Shortcomings' was me figuring out who I am.
A lot of my fears come out in my work rather than life.
A lot of the qualities in 'Killing and Dying' is sort of a response to work I'd done previously. I wanted to push myself in some different directions.
All my stories take place on the West Coast - not the beach, but smaller inland towns. I feel homesick, and I find inspiration in capturing that.
Even though I'm usually not conscious of it, I think drawing has always served a sort of therapeutic purpose in my life. There's something about the process of translating the messy chaos of real life into a clean, simple drawing that's always been comforting to me.
For a long time, I was very resistant to the idea of online publication or even e-books or something like that.
For a lot of the time I was in Berkeley, I was single. I was living in a kind of collegiate apartment by myself - it was like a protracted summer vacation. So at least in hindsight, I have gloomy emotions attached to Berkeley, whereas I started coming to New York because I was dating someone, and it was very exciting and romantic.
Fortunately, I've never had to be too critical of my own work, because the world is critical enough.
I do think that many Americans have a limited view of what constitutes Japanese cartooning based on what gets translated, so it's great to see an increase in diversity.
I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.
I enjoy getting any kind of mail. Like, for me, like, the more interesting a letter is, I just get more excited, and I know that this going to be great for my friends who are looking forward to reading that in my comic.
I grew up with a very romantic, idealized vision of New York, probably because of all the books I read and the movies I watched.
I had a mundane, happy childhood, without much struggle.
I had relatives who would go to Japan and bring back random stuff they bought at the airport or whatever - 'Ultraman' and 'Speed Racer,' stuff like that.
I hated 'Dilbert.'
I intentionally approached each story in 'Killing and Dying' in a different way, and that includes the writing process.
I love the idea of trying to do the work of old-fashioned novelists of plotting and of really making you curious about what's going to happen next and all that, but also trying to load it up with your weird thoughts and opinions.
I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.
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AuthorName
Adrian Tomine
Profession
Cartoonist
BirthDate
31 May, 1974
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