Dancer Quotes

I think the Olympics could help us reach more people.
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
I'm in the position to pick the cream of the crop.
I'm interested in people who can take the movement somewhere.
I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male.
If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.
It's not a company of exponents of my style.
It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.
Mostly, I'm in the very enviable position that no one dictates what I do.
No one was creating and I always wanted to be created on.
Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
SDC has a great reputation for putting live music on stage.
Sydney is a very good market for us - we have a very strong following here.
There's a line of dancers waiting to get into Sydney Dance Company.
We also tour nationally and internationally.
We can't afford big symphonies but we commission works that sound rich and symphonic because of the nature of the instrumentation and the people we work with.
We moved, and there was a golden era in the '40s when we were so conscious of who we were as Australians.
Yes, Carl Vine stuck around. He's now number one composer for choreography.
I always did each show for about two years. So if you play the music, it just comes back to me.
I can always remember the dances, even from shows I did 40 years ago.
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