Wynton Marsalis Quotes Quotes

What I really have in my head, my imagination, my understanding of music, I never really get that out.
What, other than injustice, could be the reason that the displaced citizens of New Orleans cannot be accommodated by the richest nation in the world?
When did we begin to lose faith in our ability to effect change?
When I auditioned for my high school band the band director was excited because my father was known to be a great musician. When he heard me, he said 'Are you sure you're Ellis's son?'
When I first came to New York everybody on the scene would treat me like I could play, but I couldn't.
Whenever you face a man who's playing your instrument, there's a competition.
You need a team. You need people to push you. You need opponents.
A musician's whole life is to listen.
As a jazz musician, you have individual power to create the sound. You also have a responsibility to function in the context of other people who have that power also.
Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition.
Duke Ellington always had a style: original, clean with interesting color combinations. He had an artist's eye.
Ethics are more important than laws.
Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements.
Generally, when I wake up in the morning I set out a series of problems for myself and I write them down, and when I'm sleeping, my mind solves the problems. When I wake up in the morning, I have more clarity on the issue.
I almost never watch TV, except for '60 Minutes' and pro football. I love Drew Brees, the Manning brothers and the Steelers' linebackers.
I became a man in New York. New York made me the musician that I am and the person that I am, so it's impossible for me to say I regret having lived there.
I didn't have a philosophical understanding of music until I came to New York. I didn't understand how it applied to my kind and my generation. I thought it was just old people talking.
I feel that for years of teaching in the country and reading criticism in books, I feel like the things most needed in our culture are the understanding of the meanings of our music. We haven't done that good of job teaching our kids what our music means or how we developed our taste in music that reminds us and teaches us who we are.
I generally work right up to when I have to do something - I'm always doing a lot.
I grew up in the South, and our way of dealing with each other was teasing, ribbing, making fun and scrapping in the street. Criticism doesn't bother me so much. It actually made me, when I was younger, more aggressive. But you get into middle age, and you lose interest in that stuff. It's not serious.
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AuthorName
Wynton Marsalis
Profession
Musician
BirthDate
18 October, 1961
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