Netherlands Quotes

Nevertheless, if I have at times been able to make original contributions in the accelerator field, I cannot help feeling that to a certain extent my slightly amateur approach in physics, combined with much practical experience, was an asset.
Since then, I have worked with the group that commissioned and improved the ring and that is now preparing the construction of a second ring to increase the p stacking rate by an order of magnitude.
Under these conditions it is not astonishing that learning was highly prized; in fact, my parents made sacrifices to be able to give their children a good education.
As a painter you're responsible yourself, 100 percent. In film, you have the editor, the director, the other actors. It has the advantage of not being solitary.
Back then I didn't think a woman like that, or a relationship like that, could exist with complete freedom and no jealousy or possessiveness. I thought it sounded too good to be true and I was certainly convinced it wasn't the life for me!
I have to be careful not to be too proud in life, because there is always room for improvement.
I learned so much from other actors and they definitely didn't treat me like some sex bomb or bimbo. I felt fully accepted in the regular movie world. I didn't feel categorised.
I still have agents in France, Los Angeles and Amsterdam who call and suggest parts. I'd love to keep on doing both painting and acting until the end of my days.
I'm very glad to have something to be passionate about. I can't imagine a life without passion.
Of course it's difficult to top a box office success like Emmanuelle, so it will always be my most important work. But that's nothing to be ashamed of.
The film was made in 1973. It was a golden time for people to experiment without risking, for example, AIDS. Today one has to be so much more careful and I don't think a character like that could exist now.
The only thing I was trying to portray was serenity. Also, innocence, vulnerability and elegance.
When a new generation watches the films, people might mention that it has improved their lovemaking. I guess it's because it isn't threatening. It was very sweet and delicate.
Any architectural project we do takes at least four or five years, so increasingly there is a discrepancy between the acceleration of culture and the continuing slowness of architecture.
But now sustainability is such a political category that it's getting more and more difficult to think about it in a serious way. Sustainability has become an ornament.
Designs are increasingly winning competitions because they are literally green, and because somewhere they feature a small windmill.
Each building has to be beautiful, but cheap and fast, but it lasts forever. That is already an incredible battery of seemingly contradictory demands. So yes, I'm definitely perhaps contradictory person, but I operate in very contradictory times.
Escape from the architecture ghetto is one of the major drivers and has been from the very beginning.
I think one of the important evolutions is that we no longer feel compulsively the need to argue, or to justify things on a kind of rational level. We are much more willing to admit that certain things are completely instinctive and others are really intellectual.
I'd say that my profession ends where architectural thinking ends - architectural thinking in terms of thinking about programs and organizational structure. These abstractions play a role in many other disciplines, and those disciplines are now defining their 'architectures' as well.
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Total Records : 1996

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