Xavier Rudd Quotes

Didgeridoo is a name that white people gave it when they came to Australia, from the sound that it makes. Its traditional name is yidaki.
For me, surfing is as close a connection I can have with Mother Nature. To surf, you're riding a pulse of energy from Mother Nature. And it's strong. It's real. It's there. And you're dancing with that. You're connecting with that. You're might be the only person in the history of the universe that connects with that particular pulse of energy.
I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
I feel my live shows are my music; everything blossoms from the live shows.
I have Aboriginal roots on my father's side, and have always indentified with that spirit. I feel a lot of my music comes from that place.
I love New Zealand and don't get to come there much. The south coast of Australia and New Zealand have a similar vibration, and a lot of the music comes from this kind of space.
I played didgeridoo from a young age - on the vacuum cleaner, initially.
I was always drawn to the didgeridoo.
It's about listening to the land and being patient and being ready to absorb our dreaming or our path or our destiny slowly, with patience, being ready to absorb that when it's time and not chasing it.
It's always great to visit Taranaki; it's beautiful, and I've caught some great waves there.
It's kind of like some kind of church for me, playing live. Each show, good people from different pockets of the world come and open their soul and let their spirits mingle and dance. That energy comes up through me, and all I do is channel it; it's like a circular motion and very sacred.
Most of my instruments are handmade.
My dad was a really good surfer, and by the time I was 10, he was dragging me out on some good days at Bells. I'd reckon they were solid, 6-foot days, and he'd tell me to wait on the shoulder. I'd see him coming through the barrel, and he'd just scream at me to go. I'd drop in, and he'd give me a hoot from behind - I've always loved it.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
My music is roots music: it's a combination of growing up on the coast and mucking around with wood and wooden tones and sounds, salt, sand, fire, dogs, and heaps of brothers.
Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
Playing yidaki, for me, is a meditation. It's incredibly deep breathing, but also, it's a structured process where you're circulating air.
Surf culture and surfing for me are two completely different things. Surf culture has become very - it's a very commercial, competitive thing, fashionable. With all due respect to the 'Surfer Dude' movie, I think the 'Surfer Dude' movie reflects that, reflects what surfing's become, but I come from a place where the surf industry began.
The best wisdom comes from the hardest struggle.
The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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AuthorName
Xavier Rudd
Profession
Musician
BirthDate
29 May, 1978
Country
Australia
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