Xavier Dolan Quotes

A lot of directors say, 'Do whatever you want, and I'll just change it on set.' But I love being involved in every part of production. It's very exciting. It's like an empire of creation: Everybody is working so hard to respect a vision and an idea, and it's very weird and inspiring at the same time.
Adele's look is meticulously thought through and completely of her own traits. She has such a powerful beauty, such an emotional voice, and the kohl, the hair, everything feels organically molded to her personality.
All my life, I heard, 'Stop daydreaming,' 'Get over yourself,' 'You'll never get there,' 'Aim lower,' 'You'll hurt yourself,' from teachers, family, and friends.
Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
Facts are, directors are not thinking of me; they think I only act in my films, because they're stupid. Or they think I'm a control freak, that I will try to, I don't know, pimp their scripts and just change everything, which I will never do.
Film-making is not liberating. It drains a lot out of you, and it's fulfilling only temporarily. It's a very thankless thing at times. When you're spending all that time on a film, you don't want 40,000 people to see it - it's just not enough. You dream of more.
For me, hipsterism is for one to appropriate the codes of a social class or another milieu that wasn't theirs originally, in order to define their personality through something different and unique. Which is why a lot of hipsters live downtown, and they're dressed as farmers. Then you have the Oscar Wilde hipster: the dandy.
For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
'Heartbeats' is a film on people magnifying and subliming reality when they're in love. Hence the overstylized look, the aesthetics, the robes, the dresses, the vintage, hipster-ish look: All of this is voluntary. I'm not a hipster. I'm not!
Here's the thing with the costumes for 'Mommy': Given the background and social strata that the characters come from, you can't really imagine that they've gone shopping lately, so we went for that very normcore, fashionless era in history, the early 2000s, which was completely transitional.
Homosexuality is like an inside baseball thing. It's like a gag that people share; 'How is your husband?' But when it comes to bringing diversity to a broader audience, suddenly it's a different road. It's what we call 'a risk.' Isn't it our responsibility to elevate the standards and change people's perceptions?
I design all of the costumes for my movies, actually.
I don't find it hard to direct myself. I can easily think of me as a horrible performer or a good performer. I work with actors who cannot stand watching or looking at themselves, which is not my case. I can have an eye and perspective on whether I'm terrible or good enough for me.
I don't have mom issues or dad issues. I think I have found peace about many things in my past. I have forgiven and asked to be forgiven.
I don't personally do movies for myself and a faction of very cerebral cinephiles - I do it for everybody and wish for the largest amount of people to relish whatever they find they can relish in.
I don't really mind not being a part of a film - because if there is no part for me, I will never force myself upon a film. I feel like it's just a distraction. If it is not organically incorporated into the story, it just feels like a stupid appearance, like a sort of wink. I hate that.
I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.
I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
I got a part in a package of commercials for this big drugstore from the age of 6 to 10. For four years I shot those commercials, and old ladies would stop me on the street and grab my cheeks. That's how it started.
I hadn't watched any Hitchcock movies when I made 'Tom at the Farm,' except for 'Vertigo' when I was 8 years old. I don't have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.
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AuthorName
Xavier Dolan
Profession
Actor
BirthDate
20 March, 1989
Country
Canada
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